By mixing humour, feminist theory and pop culture, Christine Tamblyn evokes the power of seduction of technology, most of the time detrimental to women who chose “not to participate in technology, because they reject its goals and values like the development of weapons of mass destruction, the process and products of dehumanization”. If there are no solutions neither in the ways technology is threading, nor in the social questions around accessibility, earning and control, “She loves it, She loves it not” appears like a militant feminist essay whose thesis is based on the idea that technology is just another way of alienating women.
